Category: marvel

+

+ american literature, avengers, black panther, Literature, marvel, marvel cinematic universe, marvel comics, monica lynn, monica lynne, t'challa, wakanda

“Why haven’t you let anyone know?”: Monica Lynne First Appearance

by Unknown's avatar

Typically, when we talk about origin stories in comics, we focus on superheroes. Rarely do we focus on supporting or secondary characters. David Taft Terry writes about the introduction of Bill Foster and his role working with Hank Pym; however, that is the only real discussion, so far, I have seen on supporting characters. After reading Sam Wilson’s (Falcon) origin story, I decided to … Read More “Why haven’t you let anyone know?”: Monica Lynne First Appearance

+

+ african american literature, american literature, azzuri, black panther, captain america, captain america/black panther: flags of our fathers, comics, everett k ross, marvel, marvel cinematic universe, marvel comics, reginald hudlin, steve rogers, t'challa, wakanda, world war ii

The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

by Unknown's avatar

Recently, I’ve been writing about Christopher Priest’s Black Panther, specifically about Priest’s use of Everett K. Ross, “Emperor of Useless White Boys,” as the narrative voice of the book. Today, I want to look at some of Reginald Hudlin’s work as head of Black Panther. I have read a couple of issues of Hudlin’s run, but I do not want to focus on those … Read More The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

+

+ african american literature, american literature, black panther, christopher priest, comics, everett k ross, invisible man, marvel, marvel cinematic universe, marvel comics, mephisto, narrative, ralph ellison, t'challa

Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

by Unknown's avatar

In the previous post, I wrote about the narrative point-of-view (pov) in Christopher Priest’s Black Panther (1998-2003). There, I discussed Priest’s comments about placing Everett K. Ross as the narrator of Black Panther and how that narrative position related to the work of Quentin Tarantino. Today, I want to look at a shift that occurs in issue #34, part one of “Gorilla Warfare.” Ross’ … Read More Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

+

+ african american literature, american literature, black panther, christopher priest, django unchained, everett k ross, Literature, marvel, marvel cinematic universe, marvel comics, pulp fiction, quentin tarantino, t'challa, the hateful eight

Everett K. Ross “Emperor of Useless White Boys” in Christopher Priest’s Black Panther

by Unknown's avatar

Over the past few weeks, I have been working my way through Christopher Priest’s Black Panther (1998-2003). There are numerous aspects of Priest’s run that could, and should, be discussed; however, I want to focus on one aspect that I have been looking at in other works as well, the narrative point-of-view (pov). For Black Panther, Priest chose to convey the story from the … Read More Everett K. Ross “Emperor of Useless White Boys” in Christopher Priest’s Black Panther

+ adam glass, african american literature, american literature, black panther, cecil brown, comics, jungle action, luke cage, marvel, marvel comics, mike benson, noir, stagolee

Luke Cage, Stagolee, and the Importance of Myth

by Unknown's avatar

Mike Benson and Adam Glass’Luke Cage Noir (2009-2010) pulls from a Noir aesthetic full of femme fatales, double crosses, and private eyes all within Prohibition Era Harlem. The story turns Luke Cage into a Noir protagonist that struggles with life outside of prison, ultimately killing himself at the end of issue #4. It is Luke Cage’s death that struck me in this story, and … Read More Luke Cage, Stagolee, and the Importance of Myth

Archive
Follow me on Twitter
Follow Us

Blog at WordPress.com.