Category: southern literature

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The Undercurrents of Race in Tennessee William’s “Cat on a Hot Tin Roof”

Recently, I taught Tennessee Williams’ Cat on a Hot Tin Roof (1955) and noticed, as I reread it, the undercurrents of race that appear throughout. Over the next couple of posts, I want to explore these aspects of “playing in the dark” that buttress the story of the Politt family’s decline as Big Daddy and everyone else comes face to face with his mortality. … Read More The Undercurrents of Race in Tennessee William’s “Cat on a Hot Tin Roof”

Music in Flannery O’Connor’s “Revelation”

Last post, I wrote about “When the Roll is Called Up Yonder” in Richard Wright’s “Long Black Song.” Today, I want to look at another song in a short story, this time in Flannery O’Connor’s “Revelation.” The bluegrass, gospel song “You Go to Your Church and I’ll Go to Mine” appears in “Revelation” while Ruby Turpin and her husband Claud sit in the doctor’s … Read More Music in Flannery O’Connor’s “Revelation”

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Minnie Cooper and John McClendon in Faulkner’s “Dry September”

Last Thursday, I wrote about the “blank spaces” in William Faulkner’s “Dry September” and some works by Ernest J. Gaines. Today, I want to look at a couple of scenes in Faulkner’s story and discuss the ways that Faulkner delves into the psychological effects of lynchings and racial violence on the perpetrators themselves. As such, I will briefly discuss Minnie Cooper and John McClendon … Read More Minnie Cooper and John McClendon in Faulkner’s “Dry September”

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The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

I’ve written about the image of dust in William Faulkner’s “Dry September” (1931) on this blog before, and today I would like to look at another aspect of Faulkner’s story that struck me as I reread it recently. Faulkner never shows McClendon and the mob lynch Will Mayes; however, we know that is exactly what happens because as they return in the car, Hawkshaw … Read More The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

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Paul Laurence Dunbar’s “Nelse Hatton’s Vengeance” and the Plantation Tradition

In Tuesday’s post, I wrote about Charles Chesnutt’s “The Sheriff’s Children” and the plantation tradition. Today, I want to extend that conversation to include Paul Laurence Dunbar, an author who many have painted as an accomadationist that perpetuated African American stereotypes and played to the plantation tradition. However, as I argue elsewhere on this blog, Dunbar worked to subvert that tradition through his writing. … Read More Paul Laurence Dunbar’s “Nelse Hatton’s Vengeance” and the Plantation Tradition