Category: comics

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Literacy in Octavia Butler’s “Kindred”

Note: For this post, I will use Duffy and Jennings’ adaptation of Butler’s Kindred. I have read Butler’s novel, but it has a been a few years. The adaptation closely follows the novel. On Tuesday, I wrote about the ways that Damian Duffy’s illustrations convey just as much emotion to the reader as Octavia Butler and John Jennings’ words in the graphic novel adaptation of … Read More Literacy in Octavia Butler’s “Kindred”

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Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

One of the key aspects of reading comics and graphic novels is paying attention not just to the words but also to the visual images that accompany them. Both the words and the images work together to create an experience that, to me, resembles a melding of a printed text and movie. When I read the March trilogy and The Silence of Our Friends, … Read More Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

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The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

Recently, I’ve been writing about Christopher Priest’s Black Panther, specifically about Priest’s use of Everett K. Ross, “Emperor of Useless White Boys,” as the narrative voice of the book. Today, I want to look at some of Reginald Hudlin’s work as head of Black Panther. I have read a couple of issues of Hudlin’s run, but I do not want to focus on those … Read More The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

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Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

In the previous post, I wrote about the narrative point-of-view (pov) in Christopher Priest’s Black Panther (1998-2003). There, I discussed Priest’s comments about placing Everett K. Ross as the narrator of Black Panther and how that narrative position related to the work of Quentin Tarantino. Today, I want to look at a shift that occurs in issue #34, part one of “Gorilla Warfare.” Ross’ … Read More Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

Luke Cage, Stagolee, and the Importance of Myth

Mike Benson and Adam Glass’Luke Cage Noir (2009-2010) pulls from a Noir aesthetic full of femme fatales, double crosses, and private eyes all within Prohibition Era Harlem. The story turns Luke Cage into a Noir protagonist that struggles with life outside of prison, ultimately killing himself at the end of issue #4. It is Luke Cage’s death that struck me in this story, and … Read More Luke Cage, Stagolee, and the Importance of Myth