Category: slavery

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+ american literature, early american literature, edgar allan poe, enslaved, gothic literature, hop-frog, nat turner, slavery, solomon northup, southern gothic, Uncategorized

Edgar Allan Poe’s “Hop-Frog” and Slave Rebellion

by Unknown's avatar

Ever since I first encountered Edgar Allan Poe’s “Hop-Frog, or the Eight Chained Ourang-Outangs,” I became intrigued by the issues Poe addressed through this Gothic story that takes place far away from American soil. The story first appeared in 1849, and we can read the story in an autobiographical manner, as some scholars have done. However, I would argue that we must also read … Read More Edgar Allan Poe’s “Hop-Frog” and Slave Rebellion

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+ african american literature, american literature, early american literature, enslaved, frederick douglass, narrative, slave narrative, slavery, southern literature, the slave's narrative, what to the slave is the fourth of july?

Frederick Douglass’ Rhetorical Rebuttals of Stereotypes

by Unknown's avatar

Over the past couple of semesters, I have taught Frederick Douglass’ What to the Slave is the Fourth of July? instead of teaching his narrative. I do this for a couple of reasons. One, I assign Solomon Northup’s Twelve Years a Slave, and during discussions about Northup, I bring in Douglass’ narrative and Harriett Jacobs’ Incidents in the Life of a Slave Girl because … Read More Frederick Douglass’ Rhetorical Rebuttals of Stereotypes

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+ african american literature, american literature, comics, Damian Duffy, gothic literature, graphic novels, John Jennings, kindred, literacy narrative, neo-slave narrative, octavia butler, race, slavery, southern literature, trudier harris

Literacy in Octavia Butler’s “Kindred”

by Unknown's avatar

Note: For this post, I will use Duffy and Jennings’ adaptation of Butler’s Kindred. I have read Butler’s novel, but it has a been a few years. The adaptation closely follows the novel. On Tuesday, I wrote about the ways that Damian Duffy’s illustrations convey just as much emotion to the reader as Octavia Butler and John Jennings’ words in the graphic novel adaptation of … Read More Literacy in Octavia Butler’s “Kindred”

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+ african american literature, american literature, comics, Damian Duffy, gothic literature, graphic novels, John Jennings, kindred, octavia butler, race, slavery, southern literature

Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

by Unknown's avatar

One of the key aspects of reading comics and graphic novels is paying attention not just to the words but also to the visual images that accompany them. Both the words and the images work together to create an experience that, to me, resembles a melding of a printed text and movie. When I read the March trilogy and The Silence of Our Friends, … Read More Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

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+ african american literature, american literature, frank yerby, gone with the wind, Literature, louisiana literature, mark jerng, race, slavery, southern literature, the foxes of harrow

Racial Signification in Frank Yerby’s “The Foxes of Harrow”

by Unknown's avatar

In “Reconstructions of Racial Perception: Margaret Mitchell’s and Frank Yerby’s Plantation Romances,” Mark C. Jerng argues that Frank Yerby’s The Foxes of Harrow “engages with the specific techniques of deploying racial signification in [Gone With the Wind], in particular by when race appears in the background and when it is foregrounded.” Jerng looks at the ways that Yerby challenges and reverses the racial associations … Read More Racial Signification in Frank Yerby’s “The Foxes of Harrow”

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