Category: black panther

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Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

Last post, I wrote about Michael Collins in Dwayne McDuffie’s Deathlok, today, I want to continue that conversation by discussing, briefly, Collins’ use of W.E.B. DuBois’ Double Consciousness when describing his identity. Michael’s quoting of DuBois is a direct continuation of his conversation with Misty Knight as the two talk in her apartment. Through these conversations, Michael and Misty Knight both navigate a world … Read More Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

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Top Five Posts of 2017!

Back in August 2015, I started Interminable Rambling as a space for me to write about, and reflect upon, topics I was teaching, my pedagogical practices, my research, and my thoughts about popular culture. Since that first post in 2015, I have published 235 posts (two a week) for the past two and a half years. The experience of maintaining this blog has helped … Read More Top Five Posts of 2017!

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Reader Responses to Black Panther’s Debut

Last post, I wrote about how Stan Lee and Jack Kirby position the audience in Fantastic Four #52-#53. Today, I want to expand upon that discussion some and examine the ways that readers responded to T’Challa’s debut in the letters section a few issues later. A couple of weeks ago, I wrote about Henry B. Clay III’s praise of Black Panther’s debut; however, not … Read More Reader Responses to Black Panther’s Debut

Audience Positioning in Black Panther’s 1966 Debut

Recently, I’ve been interested in the narrative point of view in various texts and the ways that authors position an audience within the narrative. On one level, some African American authors like William Melvin Kelley place audiences in the perspective of whites: “The Only Man on Liberty Street,” “The Servant Problem,” and A Different Drummer. Other authors such as Ernest J. Gaines, James Baldwin, … Read More Audience Positioning in Black Panther’s 1966 Debut

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Representation and Monica Lynne’s Social Activism

Last post, I wrote about T’Challa’s role as a teacher within the community, and today I want to briefly look at Monica Lynne’s movement from an entertainer to to social activist as she begins to work as a social worker. In Avengers #73, Monica’s actions lead T’Challa to take a more active role in fighting everyday segregation and injustice within the community instead of … Read More Representation and Monica Lynne’s Social Activism