Category: graphic novels

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+ black panther, christopher priest, comics, dc comics, deathlok, don mcgregor, dwayne mcduffie, graphic novels, jack kirby, marvel, marvel cinematic universe, marvel comics, Pedagogy, race, stan lee, swamp thing

Comics and Race Syllabus

by Unknown's avatar

Over the past couple of years, I have really started to dive into comics and graphic novels. Initially, I would just look through the local library to find books on the shelf. Here, I found texts such as Southern Bastards, Scalped, Bayou, I Am Alfonso Jones, and more. Since then, I have started looking at these texts more, especially series such as Black Panther and … Read More Comics and Race Syllabus

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+ african american literature, american literature, bergen, Norway, caribbean literature, comics, deathlok, early american literature, frank yerby, fulbright, gothic literature, graphic novels, Hilary Jordan, image comics, Kristen Imani Kasai, Literature, louisiana literature, marvel comics, mississippi literature, mudbound, native american literature, Pedagogy, southern bastards, southern gothic, southern history, southern literature, southern studies, southern womanhood, The House of Erzulie, Uncategorized

What to Expect in 2018!

by Unknown's avatar

Welcome to 2018! Back in August 2015, I started Interminable Rambling as a space for me to flesh out thoughts I had concerning texts I was reading, pedagogy, and culture. Since that first post, I have published 236 posts for this site on a myriad of topics such as Mary Rowlandson and Sarah Kemble Knight to Star Wars: The Force Awakens and court cases such … Read More What to Expect in 2018!

+ american literature, black panther, comics, fantastic four, graphic novels, jack kirby, marvel comics

Audience Positioning in Black Panther’s 1966 Debut

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Recently, I’ve been interested in the narrative point of view in various texts and the ways that authors position an audience within the narrative. On one level, some African American authors like William Melvin Kelley place audiences in the perspective of whites: “The Only Man on Liberty Street,” “The Servant Problem,” and A Different Drummer. Other authors such as Ernest J. Gaines, James Baldwin, … Read More Audience Positioning in Black Panther’s 1966 Debut

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+ avengers, black panther, comics, graphic novels, m'kabu, marvel, marvel cinematic universe, marvel comics, monica lynn, monica lynne, t'challa, wakanda

Representation and Monica Lynne’s Social Activism

by Unknown's avatar

Last post, I wrote about T’Challa’s role as a teacher within the community, and today I want to briefly look at Monica Lynne’s movement from an entertainer to to social activist as she begins to work as a social worker. In Avengers #73, Monica’s actions lead T’Challa to take a more active role in fighting everyday segregation and injustice within the community instead of … Read More Representation and Monica Lynne’s Social Activism

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+ african american literature, american literature, avengers, black panther, comics, graphic novels, Literature, marvel, marvel cinematic universe, marvel comics, monica lynn, monica lynne, t'challa

Representation and The Black Panther as Teacher

by Unknown's avatar

A couple of weeks ago, I wrote about Monica Lynne’s first appearance in Avengers #73. During their first encounter, Monica Lynne causes T’Challa to see his role not just as an Avenger but as a social activist as well. Along those lines, the issues that follow, specifically Avengers #77 and #78 illuminate what T’Challa’s and Monica’s roles in the community end up being. T’Challa, … Read More Representation and The Black Panther as Teacher

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