Category: comics

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Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

Last post, I wrote about Michael Collins in Dwayne McDuffie’s Deathlok, today, I want to continue that conversation by discussing, briefly, Collins’ use of W.E.B. DuBois’ Double Consciousness when describing his identity. Michael’s quoting of DuBois is a direct continuation of his conversation with Misty Knight as the two talk in her apartment. Through these conversations, Michael and Misty Knight both navigate a world … Read More Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

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What to Expect in 2018!

Welcome to 2018! Back in August 2015, I started Interminable Rambling as a space for me to flesh out thoughts I had concerning texts I was reading, pedagogy, and culture. Since that first post, I have published 236 posts for this site on a myriad of topics such as Mary Rowlandson and Sarah Kemble Knight to Star Wars: The Force Awakens and court cases such … Read More What to Expect in 2018!

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Comic Adaptations of Edgar Allan Poe’s “Hop-Frog”

After my recent post on Edgar Allan Poe’s “Hop Frog,” I did a little digging online and found two comic adaptations from Nightmare # 11 (1954) and Creepy # 11 (1966). “Hop-Frog” also appeared as a sub-plot in the 1964 adaptation of Poe’s “The Masque of the Red Death”; however, I will not be examining that issue at this time. Today, I want to … Read More Comic Adaptations of Edgar Allan Poe’s “Hop-Frog”

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Reader Responses to Black Panther’s Debut

Last post, I wrote about how Stan Lee and Jack Kirby position the audience in Fantastic Four #52-#53. Today, I want to expand upon that discussion some and examine the ways that readers responded to T’Challa’s debut in the letters section a few issues later. A couple of weeks ago, I wrote about Henry B. Clay III’s praise of Black Panther’s debut; however, not … Read More Reader Responses to Black Panther’s Debut

Audience Positioning in Black Panther’s 1966 Debut

Recently, I’ve been interested in the narrative point of view in various texts and the ways that authors position an audience within the narrative. On one level, some African American authors like William Melvin Kelley place audiences in the perspective of whites: “The Only Man on Liberty Street,” “The Servant Problem,” and A Different Drummer. Other authors such as Ernest J. Gaines, James Baldwin, … Read More Audience Positioning in Black Panther’s 1966 Debut